1912 Born on 19 May in Budapest, the city where she learned the techniques of photography. She met the photojournalist Robert Capa and the photographer Emerico Chiki Weisz.

1930 Arrived in Berlin, along with her compatriots Robert Capa and Chiki Weisz and met the German playwright and poet Bertolt Brecht and entered his circles.

1933 Arrived in Paris where she consolidated her education as a photographer and realized various documentary assignments for the French company Agence Photo.

1937 She traveled to in the footsteps of Weisz and Capa. She worked on an album for outside propaganda for the Republican Government and as a graphic reporter in magazines like Umbral where she met José Horna.

1938 Kati and José Horna were married.

1939 When World War II broke out, the couple left Paris to seek refuge in Mexico where they came in contact with other exiled artists like Remedios Varo, Benjamín Péret, Leonora Carrington, Gunther Gerzso, Wolfgang Paalen, Alice Rahon, Mathias Goeritz, entre otros.

1939 After arriving in Mexico, she participated with different magazines. In Todo she published the visual story Así se va otro año (Lo que va al cesto), 1939; in Mapa she published La evacuación de los sin culpa, 1940, and Tránsito, 1941; in Nosotros she published Lucha contra las tinieblas5445, 1944, Loquibambia, 1944, Asilo para ancianos, 1944 and Títeres en la penitenciaría, 1945; and, in the magazine S.nob she participated with Oda a la necrofilia (Fetiche núm. 1), Impromptu con Arpa (Fetiche núm. 2) and Paraísos artificiales (Fetiche núm. 4), 1962, among others.

1949 On 20 October Norah Horna was born, the only child of José and Kati.

1958-1965 Kati collaborated with the magazine directed by Anita Breen, Mexico This Month. In January of 1965 she published House of History with photographs of Trotsky’s house. Other projects by Kati for this publication show the work of some artists like Germán Cueto, Pedro Friedeberg, Alejandro Jodorowsky, Mathias Goeritz and Leonora Carrington. She converted herself into the great portrait photographer of the artistic and literary vanguards of Mexico.

1961 Participated in the group show of “Los hartos” at the Galería Antonio Souze.

1963 José Horna died on 4 August.

1973-2000 Directed the Taller de Fotografía at the Antigua Academia de San Carlos.

1983 Sold 270 negatives to the Ministerio de Cultura Español that were taken during the Spanish Civil War. That archive is actually in the Archivo General de la Guerra Civil Española in the city of Salamanca, Spain.

1985 Donated 6,750 negatives, 3,817 contact prints, 408 slides and 496 original impressions to the Centro Nacional de Difusión e Investigación de las Artes Plásticas (Cenidiap), an institution under the aegis of the Instituto Nacional de Bellas Artes (INBA) of Mexico.

1993 In May, she agreed to a televised interview by Emilio Cárdenas Elorduy, a unique document with her talking about her life.

2000 Kati Horna passed away in Mexico City on 19 October. Her legacy is made up of 20,000 celluloid negatives and 6x6cm slides and 3,000 vintage photographs.

© MUSEO DE ARTE CONTEMPORÁNEO DE MONTERREY, 2016 | Zuazua y Jardón S/N, Centro. Monterrey, N.L. Mexico, 64000 | Ph. +52 (81) 8262.4500

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